00:00 00:00
exploding dance hole
LC 12350
:
2013-05-04
:
2022-11-07
Dance music for the next generation of illegitimate children! Good For: Dance, Pop, Happy, Fun, Fashion
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VH004501
1:36
Happy and attitudinal celebration. Four chords, winding synth lead and a happy House beat create a soundtrack for a night you'll never forget, or remember, because you drank five grain-alcohol mojitos. A tough-sounding stamp/handclap section @:32 followed by a gritty bass synth/drums break @:47 suggests sports, one of those competitive singing shows, entertainment/celebrity news or angry body waxing.
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VH004502
1:22
Techno meets Blues and tries to get in its pants. Starting sultry and seductive with male R&B/Gospel vocal scoops and kick drum, building synths/drums reach a climax @:15 as the cut explodes into a heavy electric/acoustic driving beat with insistent synths, electric bass electric guitar and an upright piano that suggests sexy nightlife and the bars that only exist in beer commercials. Are you wearing fishnets - and aren't a dolphin? This cut's for you!
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VH004503
1:16
Teeth-grinding anthemic House/Trance music for over-caffeinated club kids. (It must be caffeine, right? There must be a Starbucks in the men's room.) Glossy, fast arpeggiated builds and synth washes start the cut, exploding into an insistent, pulsing/stuttering feel @:07 progressively adding a throbbing beat and synth lead. Good for technology, fashion, morning shows and suggesting progress/growth. Europeans can't procreate unless they hear this music.
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VH004504
1:50
Important, event-heralding Prog Rock/Dance/Pop. Sure, it's starts fast and frenetic with fast German 70s SynthPop arpeggiated synths, but then the electric bass and acoustic drum set come in at half time @:12, laying down dramatic, mid-tempo Rock pomposity, like a dinosaur following a butterfly. @:30, vocal washes try again to lull you before the bass and drums kick in. Sci-fi action music - good for showing progress, time lapse footage or exploding stars - like Kirstie Alley. Let Scientology clean up that mess.
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VH004505
1:31
Kid-friendly, sugary sweet synth-driven J-Pop-like cut minus the ultrasonic vocals. Plucky piano and synths create a questioning, halting stop/start movement which blossoms into a polished, full-blown bubblegum SynthPop anthem as electronic drums and lead synth enter @:08, getting busier and more driving @:21. After :30 it becomes more reflective and atmospheric, providing loopable variations until the main, uplifting mix returns @1:11. Good for showing positive growth, people working together and inspirational comebacks.
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VH004506
2:01
Dramatic Alt Country/Folk merges with triumphant, fast, driving Techno. Ready-for-a-showdown mandolins, acoustic guitars and banjos start the cut along with tension-producing synth pads and kicks. @:15 the cut gets happy and rhythmic with synths, stamps/clamps and electronic drums. After :30 a variety of loopable beds mixes synths and acoustic instruments, building linearly back to a full-on, explosively happy anthemic dance piece by 1:27. Good for NASCAR, road trips, celebrating Americana and challenging Marcus Mumford to a dance-off.
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VH004507
1:17
A bass-heavy R&B track that provides an undercurrent of nasty sleaze and intrigue, like any Kardashian, with the exception of Woofie Kardashian, their dog. Classic Electro beats pulse under minor-key warbling synth bass and delayed, muted guitar sixteenth notes. After :30, the beat slows, and the mood grows tense as the mix builds back up to full-on prostitution @1:01. This reserved, up-to-no-good track is perfect for fraud investigations, bank heists and strippers who are secretly secret agents, or vice versa.
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VH004508
1:29
Happy, uptempo Irish-tinged 80s Dance/Rock, appropriate for celebrations, road trips and image spots. Busy muted electric guitars, drum machines and driving electric bass start the cut with a bed of movement, but get anthemic and inspirational @:14 with electric guitar leads. The middle returns to a gentle pulsing bed of synths and builds back to a full mix, but this time adding acoustic guitars @:56.
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VH004509
1:22
This aggressive, caveman-like midtempo Techno/Rock track throbs like a sexy headache. Pounding, deep, buzzy synths/basses and processed acoustic Big Beat-like drums create a driving, ugly assault broken up by glitchy, syncopated acoustic/electric drum breaks and a feedback scream @:45. Good for extreme sports, car commercials and being hit repeatedly by a club. Sure, it's not sophisticated, but sometimes thinking is for chumps.
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VH004510
1:24
Propulsive, upbeat glitzy Dance/Pop, with happy electric rhythm guitar chords over a driving drum machine beat with a simple (and catchy) synth hook, littered with glitchy breaks. The second half introduces a smaller, piano-led mix that returns to hugeness by :59. Intermittent Dubstep breaks starting @:43 suggest the genre is officially dead. This is California driving music, for those rare moments when you're not stuck in traffic or being sideswiped by Lindsay Lohan. Good for image spots, humanizing technology or showing progress/evolution.
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VH004511
1:21
The heart transplant was a success! Starts-poignant-ends-happy Synth/ElectroPop that works for problems being solved, healthcare, informational/technology stories and advertising expensive cars. Delayed electric piano plays a non-committal melody over pulsing synth strings and drum machine, suggesting conflict and light tension, alleviated @:16 with ultra-happy and celebratory pulsing synths and melody. The mood gets slightly dampened after :30 as you find out an iPod Shuffle was implanted instead. Thanks, United Healthcare.
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VH004512
1:45
Summery, light and shimmering Dance Pop combining confectionary waves of pulsing synths and processed vocals from failed 60s girls' groups. Things get stripped-down and slightly tense @:37 with layers of acoustic guitars and rhythmic synths building to @:52 when the girls go crazy, suggesting someone moaned their ex's name during sex (never date someone named "Uuuunhhh"). The mix gets happiest @1:13 with jumping lead synths and the sound of a manatee getting a tubal ligation. Good for entertainment, glitzy events, and road trips.
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VH004513
2:11
Light drama becomes bouncy ElectroPop, minus the troubled teenager on vocals. Starts with dramatic synthy hits, beds of percolating synths and a floaty lead electric guitar, suggesting a big event. Drums enter @:14, busy synth beds and more melodic guitar lead suggest pride or at least moderate happiness. A rising wind-up starting @:40 brings the main mix back @:45 with a variation on the theme. Videogame-esque breaks @1:27 and 1:59. Good for big entertainment, triumphant moments and image spots.
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VH004514
1:28
I hate myself for liking this cut. Fun, innocent, summery and fashion-friendly Disco/ElectroPop head bobber. 70s/80s-tinged Funk electric guitar, simple drum machines, modern synth lead/arpeggios create a party on the beach, invoking thoughts of teen-friendly hijinks and that Spring break mankini photo of yourself that should've never been Instagrammed. After :30 you'll find some good intro/neutral-ish loopable variations, but they can't hold back the fluffy joy @1:06. Great for entertainment, celebrity news and anything that's style over substance.
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VH004515
1:30
Don't let a low T-count get you down! Turn it around with VHTrex! This bouncy and uplifting cut starts with a building muted acoustic guitar and synth bass until it explodes into a mass of happy sweeping, arpeggiated plucky synths and driving drums, suggesting a successful makeover, corporate/medical video or tech breakthrough. After :30, it starts all over again, leading into a synth breakdown @:50 and the big climax @1:08. If you don't feel elated, consult your doctor immediately. And while you're there ask him what a T-count is.
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VH004516
1:22
The douchier side of Vegas and club nightlife. This cut is so perfect for fashion models that even Leonardo DiCaprio has slept with it. At first, it seems like a standard, antiseptic, synth-driven dance cut, but as its repetitive, insistent and attitudinal/dramatic buzziness and pounding drums circle you like some hungry, drunk tigers while you regret wearing an lamb meat jumpsuit. Singular-minded and determined, this cut adds delayed breathing @:14 and an all-breathing break @:30. Check out the vocal break @1:08.
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VH004517
1:10
Two parts happy, one part evil, this is House/Rock dance party music with buzzy bass synths, playing Disco-like octave riffs during the big choruses @:14 and :53 and a flute-like synth taking the melody. The second half starts darker, with a measured stabby synth break, wandering dual electric guitars @:38 and the main happy mix returning @:52. As the kids are fond of saying, "YOLO," as well as "a'ight," "fo'shizzle," and "damn, who smells like Vicks Vap-O-Rub?"
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VH004518
1:05
Laid back positive and modern-sounding cut that sounds like Indie kids dabbling in World music. Spring reverb-laden Surf guitars play a simple, lilting progression over electronic/acoustic drums/hand claps with percolating synths progressively entering @:21. A smaller guitar/drum-driven mix is featured @:30, returning to the main mix @:44. Mid-tempo cut good for beach vacations, Apple commercials and simplifying technical stuff. So pop open an ironic beer, don your non-prescription glasses, and enjoy looking like a human clothespin in your skinny jeans.
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VH004519
2:17
A hyperactive, schizophrenic dance-off between anthemic international dance genres: German Techno, Amsterdam House and Jersey Douche. Mostly positive and fun rave music, the cut calms @:30 with a percolating, delayed synth/drum bed. @:51 there's a repeating alarm-like synth figure that will make you want to slap the DJ or even one of his close relatives as the world's longest series of pounding builds finally yields an explosive, anthemic bout of epic, epilepsy-inducing energy @1:44. Good for celebrations, club/party scenes and meeting the mother of your next illegitimate child.
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VH004520
1:20
Celebrating something? Failed to wear protective headgear while motorcycling with Gary Busey? Maniacally happy guys sing "Oh, oh!" over electric guitar-driven 50s-meets-80s power Pop, with the mix occasionally hiccuping like Max Headroom during electro-convulsive therapy. @:30 dueling lead electric guitars take the melody from the "Oh, oh!" guys, who take it back @:45. Good for kid's shows, explaining what library music sounds like, partying on the beach or documenting the easily startled.
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VH004521
1:20
The fake boobs of music: perky and full, but insensitive, plastic and likely to explode when scuba diving. This percolating, soul-less and synth-driven ElectroPop is perfect for fashion, retail advertising, technological innovations and will have you wanting to dye your hair black again. Recalling early German Techno, this bloop- and bleep-filled kinetic cut creates glamorous and expensive-feeling activity. Good for also suggesting time passing, exotic travel and loss of nipple sensation.
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VH004522
1:34
The musical equivalent of clubbing an adorable bunny to death with its own pancreas. Shifting, heavenly, atmospheric synth pads create a feeling of peace and tranquility, with muted electric guitars and electronic kicks @:07 suggesting optimism and hopefulness. This is horribly dashed and obliterated @:15 by a Dubstep beat, distorted synth lead and ticking electronics that are smashed on top of the pretty stuff. Various iterations later, the feel-good pads and Dubstep clash again. Good for sports, violent conflicts, ironic ideas, crushing dreams and a new theme song for the anti-bunny lobby.
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VH004523
1:44
Attitudinal, turn-of-the-century Big Beat/Techno Electronic music, bro, including the requisite huge, funky breaks, fuzz bass guitar and squealing hoover synth leads. @:30, there's a short breakdown with electric bass and drums before everything comes in as loud as ever. Perfect for extreme motorsports, refusing to admit that 2003 is over and for Guy Ritchie films, like when they introduce the guys from the jewel heist ("Gaz," "Boom Boom," "Average Height Todd," "President Grover Cleveland.")
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VH004524
1:13
In order to sound sophisticated/expensive, have you ever tried to mix classical music with modern Techno/Disco? Here's why you haven't: synths accompany an orchestral string section playing the opening movement of a Vivaldi-esque, busy classical piece over an intermittent understated electronic beat, adding synth bass and angelic women's voices coming in @:14. After :30, a dignified, ascending string-led figure builds until :52, when the main theme/mix returns from its weekend in the Hamptons. Expect this to be playing in finer jewelry retailers and for people so rich that instead of getting their breasts augmented, they had everyone else's reduced.
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VH004525
1:49
Remember when that marching band was raising money, and you didn't buy their candy bars? Well, they're back and they're pissed. This huge, cacophonous assault on the senses starts with hyper-edited real marching band drum/brass sections to create a dramatic bed, combining it @:14 with aggressive synths and electronic drums to create a stutter, hit-filled Techno behemoth that will kill any adjacent commercials around yours and poop on their graves. Tons of breaks, blasts and hits. @1:03 you get the feeling that you're being trampled by elephants. Good for MMA fighting, football, college sports and urban violence.
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VH004526
1:56
This swaggering, flamboyant dance pop bodysprayed with glamour will turn any location into your personal red carpet. Even works when you take a dump! Shiny and gritty synths at the top set the stage for the strutting main theme (in @:07). The overconfidence continues all the way to :29, stops, pulls off a pair of gold sunglasses and reveals - another pair of gold sunglasses. Then it starts all over again, just differently enough. Good for fashion, parties, retail, fighting housewives, glitzy events, and celebrity comings/goings/rehabbings.
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VH004527
1:21
Happy, bubbly, vapid ElectroPop dance candy, perfect for fun fashion or fluffy celebrity gossip - as well as celebs without body hair. Buzzy low synths and stabby synths create a bed of neutral, mid-tempo entertainment news that, @:14, bursts into a happy, kid-friendly club scene, replete with electronic House beats, soaring, pitch-modulated synth leads and lots of percolating activity. @:30, a more reserved, simpler bed builds back to the main mix by 1:00.
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VH004528
1:34
Wistful New Age-ish Lounge/Chillout, perfect for "finding yourself" on a sailing voyage, having your intestines exfoliated at a spa or reconciling with your estranged mother. An acoustic piano plays a sweet, mysterious melody over synth washes, getting more proud and resolved @:20 with ticking electronic drums/hats and synth bass. After :30 we return to the more questioning and unsure feeling, starting a build @:51 with four-on-the-floor kick and washy angelic synths, returning to the full mix @1:07. Good for sophisticated retail/corporate uses or sleek hotel lobbies.
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VH004529
1:22
Just discovered that your entire small town population has been replaced by humanoid robots? Probably not - maybe this one was too specific. Starts with a chipper, strummy mix of carefree Folk/Country goodness with acoustic guitars, piano, banjo and drums. Then @:14 the cut gets an upbeat Pop makeover, with an otherworldly whistling lead entering along with synth pads/bass to suddenly suggest that behind the scenes, technology is what makes everything perfect! The second half goes back to acoustic warmth, slowly building back to a full, happy-but-slightly artificial mix @1:01 with synth lead. Good for family scenes, soft-focus heartstring-pulling and suggesting your hometown has been overrun by cyborgs.
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VH004530
1:37
Sensual, downtempo Urban R&B floatiness, suggesting dark lounges, spas, rich people, luxury cars and finding out you can't get past the doorman at heaven. Spare and laid-back soundtrack for sex or a pretentious restaurant: reverbed harp, electric piano with waves of phased strings and a slow Hip Hop beat. Gets very spare after :30, building back to the main mix when it damn well feels like it.
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VH004531
1:26
Angry/bitchy, slightly attitudinal and simple cut that's like getting into an argument with a really, really stupid person. They keep saying the same thing - just slightly differently. Sawtooth bass synths grind away under a electronic Disco beat and the occasional French horn glissando (@:14 and 1:06) in this darkly minimalist perfect for aggressive fashion, stupid reality shows and low-end dance clubs. A break @1:00 temporarily stops the beat for pulsing string washes but dammit, the full mix is back @1:14.
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VH004532
1:22
Bouncy, Ska-like head-nodding mix of Disco and California-tinged TechnoPop suggests glossy Fashion/Lifestyle ads, rich-person sports (skiing, skateboarding, tax hurdling) or fun family-friendly party scenes. Jangly electric guitars play an upbeat rhythm over a kinetic ElectroPop beat, followed by synth lead/bass. After :30 a neutral, slightly questioning feel provides a good introductory bed until the happy, carefree theme returns @:51. You can't help but jump up and down to this, thanks to the electrified floor.
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VH004533
1:55
A crushingly competitive cut that makes you want to slam your fist into somebody's face (Chad Kroeger, maybe?) while thousands of flashbulbs erupt in slow motion. Distorted, tense gritty guitar-like synths at the top are soon pierced by rapid-fire sonic flashes perfect for fast/slow cutting. Dramatic, gritty and modern, this cut works for boxing, hockey, action, extreme sports or anything military with a technical edge. Becomes taut after :35 as the cut pares down to just lean mean bass and drums. Strings and building melodies add an air of expectant tension building from :52 to what is pretty much an alternate ending @1:23. Main theme then returns with extra muscle mass until the end.
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VH004534
1:07
Reporting on important breakthroughs in stuttering or flatulence? This newsy, informational cut combines Techno and Dubstep to create a break-filled story with unexpected twists. Starts smaller, neutral and movement-filled with delayed muted electric guitars, electronic drums and synths, getting big/proud @:14 and :44 with fuller and more anthemic synths. Good for important events, fun fashion, image spots and showing growth or evolution, but not in a Darwinian way, as a frightening 43% of the US population won't believe it happened.
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VH004535
1:27
Shake your groove thing, unless your groove thing is a baby. This is light, fun Tribal Trance music with a deep, croaky synth bass and a tuned-drum-like synth creating a bouncy, delayed melody. The bass drops out from :33 to 1:00 returning for the climax. Like musical Styrofoam: fills up space with innocuous material. Good for how-to videos, sped-up scenes of someone assembling something and keeping things simple.
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VH004536
1:58
Expensive, important and a bit of a blowhard. Cellos, piano and autoharp create a sophisticated, slower, climbing feel that gets huge and event-like @:14 with orchestral brass/winds, buzzy synth bass and angelic children's/women's choirs. @:30 a delayed, piano-driven bed climbs, creating mild tension. But the real build starts @1:05, culminating in a full explosion of self-importance @1:33. Good for medical breakthroughs, proud victories, Olympics and asking "is this heaven? Is this real life? Or just nitrous oxide?
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VH004537
1:24
When implants attack. An anthemic, attitudinal Hip Hop club cut that suggests shocking scenes on reality shows, strobe lights on a crowded dance floor, Vegas/Miami nightlife and strip clubs. Starting with arresting synth stabs, a vocal-like synth hook and a propulsive electronic beat gather steam as they build to :29. A four-on-the-floor middle section suggests slight tensions between gun-wielding bar nightclub patrons until the full mix returns @:49 and the shots fly.
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VH004538
1:28
Party time! Sunny ElectroPop/Disco, with strumming acoustic guitars, sampled drums and synths accompanied by stuttering female vocal samples. Starts spare and builds in tenor throughout the first :30. The middle section feels reminiscent of a bullfight, with acoustic and plucky synths creating a tense feeling of impending conflict. Full synth-driven mix back in @1:09, bringing to mind nightlife and parties. Please note: we regret to inform you that the titular battle promised is not literal. Please also note: We just looked up "titular." It's not what we thought it meant.
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VH004539
1:19
Advertising a Lexus? Need to seem sophisticated? Exotic and debonair, this cut gives you the impression of an expensive car commercial, an art film with people spewing non-sequiturs or what happens when you kidnap Ian Anderson. Starts with slow, introspective, deliberate reverbed piano chords accented by Jazz flute trills/blasts and trumpet phrases, getting more positive @:14 with a mellow Lounge groove. The soft, somewhat Tribal beat gives it the feel of a trendy Miami or European bar at sunset. Also works for suave spy stories, travel to distant locales and flute players with hay fever.
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VH004540
1:34
Spunky, break-filled, attitudinal 1980s-tinged ElectroDisco meets modern synths. Good for fast images of glossy nightlife, catwalk conflicts, technology and any time you're describing what the future will be like. Starts with big-sounding, reverbed bursts of synth activity that explode into a more concise electronic drum-driven beat @:08, with the mix building linearly with overdriven guitar-like synths. Things get minimalist from :30 to :47 with mysterious shifting synth pads and feelings of sneakiness. The party resumes @:47.
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VH004541
1:46
Driving, hook-laden EDM with a pulsing undercurrent perfect for glossy futuristic nightlife/fashion/entertainment. Break-laden Glam retro party House music for kids who don't know retro is retro, with drum-slamming intro, buzzy synth hits and enough attitude to get by the club bouncer, but not quite enough for the VIP section. @:37, there's a slow, almost controlled throbbing build to a series of hits starting @1:06, followed by distorted vocal hits @1:13. The main theme returns @1:28
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VH004542
1:28
Cool, sultry and sexy, like a heroin dream of space. Sampled phrases from a female soulful and jazzy smoke-infused singer's voice, float over vibrato-heavy electric piano chords, pulsing/delayed synths and four-on-the-floor electronic kick that get positive and uplifting around :12. Good for expensive nightclubs/Lounges, suggesting sophistication - not one umbrella drink in the place. Also works for love and Valentine's Day. Middle section selectively drops mix elements, bringing everything back @1:13.
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VH004543
1:21
Upbeat, catchy kid-friendly Techno/Disco party tune (with some Dubstep elements). Combine 70s action-movie wah-wah electric guitar, 80s chiptune video game music, and a repetitive synth melody, and you get this peppy little hyperactive monster. Break-filled and drum/synth-driven, this cut only pauses @:30 for a brief busy (but small) bed then kicks back into full-on fun @:51. Smart, generation-spanning dance cut that brings more kids and adults together than a superhero movie.
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VH004544
1:36
Egomaniacs, this is your song! Somewhere between a House anthem and low-key, silky Lounge/R&B, this cut starts big with strutting, thick synths, vocoder and electric piano carrying the simple lead against thumping electronic drums and @:19, arpeggiated harp-like synths. @:48 the mood gets all quiet and sensual with electronic kick and muted House organ. @1:03 the cut returns to positive, prideful joy. Good for fashion, glossy openings and exciting/sexy nightlife.
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VH004545
1:35
Gritty, tough, dirtbag Blues/Rock attitude meets club-ready Glam, great for nightlife, sports, attitude and fashion (if the models have never been washed or housebroken). The opening Garage-esque overdriven electric guitar hook not enough? How about a pounding electronic drum beat @:07? How about a gruff, drum-driven full mix @:14 with buzzy synths? No, well, then enjoy the "who-ah" male background vocals @:21. Huge, mono-brow Classic Rock seen through a modern lens.
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VH004546
1:33
Imagine an ultra-slow motion shot of a man jumping between high-rise rooftops - and then speeding back into real time when he makes it. A tense, gnarled synth pulsing intro gives way @:14 to a midtempo soaring, anthemic ElectroPop/Techno synth lead, propulsive sampled drums and an overwhelming feeling of positive pride, victory and achievement. After :30 we return to the small pulsing again, but give way to slow, pounding menace @:38 with held synth bass notes and a snare the size of a Kardashian's tush. Main theme returns @1:11. Good for epic journeys, overcoming the odds and extreme sport videos.
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VH004547
1:30
Need to suggest something is expensive and royal (or at least rich)? Originally titled Harps and Harpsichords, by Jane Austen - this quiet, drawing room-appropriate chamber music is underscored by insistent electronic beats and pulsing keyboards (in @:13). Very useful for suggesting dignity, childlike innocence, sophistication and Grey Poupon overdoses. A waltz-like interlude after :30 suggests beauty and snuff abuse as reversed swells (@:36) and more blippy synths (@:55) highlight the moment when Liz realizes Mr. Darcy is actually a cyborg.
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VH004548
1:28
Desperate, vacant Goth SynthPop that sounds like a frustrated 20-something on some bad molly (yes, I looked it up on Urban Dictionary). Pulsing bass and slithering guitars (in @:17) create a mix of frustration and tension that causes bad things to happen, like losing your friends' drugs, punching your romantic rival, or the existence of the Comfort Wipe? . Pares down from :55 until 1:06 when there's a screeching noise that signals, uh, something. Probably the return of the full mix @1:09 with even more stuff happening. Use this for good nights gone bad.
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VH004549
1:57
The sonic equivalent of a motivational speaker, this unstoppably buoyant, effervescent + frothy SynthPop will have you searching for new ways to say "Yes! I will! I will kill myself if I hear this again!" Floaty guitar mixes it up with shiny synths forming a kaleidescope of bright colors and rigidly enforced happiness that's perfect for kids / tweens and morning shows. Also great for selling anything: awesome products, amazing lifestyles or your sense of dignity.
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VH004550
1:06
Starts cool - and then things get stupid. Fashion show/catwalk music that starts all slick and glossy with throbbing low synths and attitude, but @:15 a dissonant melody enters and we find that the clumsy models have accidentally set fire to the stage. Tries to get serious with a synth-bass-and drum-sample-driven section @:30, but the melody returns @:48, ruining the cut's chances for ever finding a date. Good for things going wrong or clowns out for a night on the town.
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VH004551
1:25
Tense competition? Scandal? Someone leave the seat up? Ominous synth bass, urgent strings and electronic kick (@:07) clue us to the presence of something huge and unfriendly. The exploding synths, low brass, frantic strings and humungous menacing drums @:14 suggest conflict has arrived and it's probably wearing black leather, a cape and unfortunately isn't Batman. The drums drop out @:30 leaving a fast string/synth bed, building back to a driving, double-time, drum-driven full mix @:56. Useful for important information, intense sports and world-ending events.
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VH004552
2:04
You still have more dancing in you? Coming right up. This annoyingly catchy uptempo ElectroPop/House dance cut works for manic dance parties, raves and sped-up footage with big, bright synth chords set against driving drum machines. Brings to mind nightclubs, glossy fashion and nightlife. A Reggae/Caribbean feel which suggests beach vacations and my getting a CAT scan, as nobody else here agrees with me. A loose, party-ready keyboard riff @:32, brings in an alternate mix that features every conceivable incarnation of the riff and main melody. You will get some sleep eventually, right? Promise?
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VH004553
1:26
Carefree, lilting and mindless activity reminds me of beach vacations, Miami in the summer and aerobics videos. Bright 80s/90s-tinged electric guitar chords with tons of reverb and delay over ElectroPop arpeggiated synths, a galloping beat and a backflippingly-happy synth lead @:14. Sunny acoustic guitar begins @:37. Full mix and alternate synth lead @:57. The theme song to happy, rich, well-adjusted kids helping each other solve their minor, first-world lifestyle problems with laughter and understanding.