00:00 00:00
Musiktitel: YOU ADJACENT A
Sonoton Music Trackcode: SCDV150036
Katalognummer: SCDV1500
Track Nummer: 36.0
Gema Werke Nr.: 43866050.001
Gema Komponistenangabe: Gurney, Sasha Helen
Komponist: Sasha Helen Gurney
Interpreten: Elizabeth Bell
ISRC: DE-B63-26-05302
EAN/GTIN: 4020771261185
Album: FEED 7 (SCDV 1500)
Labelcode: LC-07573
Label: Sonoton Vanguard - SCDV
Bitte beachte die Meldepflicht!
Sonoton Music Trackcode: SCDV150036
Katalognummer: SCDV1500
Track Nummer: 36.0
Gema Werke Nr.: 43866050.001
Gema Komponistenangabe: Gurney, Sasha Helen
Komponist: Sasha Helen Gurney
Interpreten: Elizabeth Bell
ISRC: DE-B63-26-05302
EAN/GTIN: 4020771261185
Album: FEED 7 (SCDV 1500)
Labelcode: LC-07573
Label: Sonoton Vanguard - SCDV
Bitte beachte die Meldepflicht!
Süßer, luftiger Pop mit verliebtem Frauengesang, flimmernden Akzenten, glänzenden Synth-Arpeggios, treibendem Synth-Bass, sanfter geschlagener Gitarre und lebhaften Drums. Perfekt für Reality-TV, modernes Drama, Romanzen und Promos. ; 124 bpm; (Gmaj)
| Artists | Elizabeth Bell |
|---|---|
| Tempo | schnell, 124 bpm |
| Key | Gmaj |
| Featured instruments | Vokal/Gesang (feat.) |
| Formation | klein (2-10) |
| Sound | elektronisch und natürlich |
| Version | Hauptversion |
| Duration | 2:36 |
| Release date | 2026-05-29 |
| ISRC | DEB632605302 |
| Download file name | SCDV150036_YOU_ADJACENT_A_SONOTON |
| GEMA Workcode | 43866050 |
Tr. 1, 8, 22: Arranged, produced and mixed by Jaco Prince at The Peak 25 Studio.
Recorded by Jaco Prince, Darren Alboni, Ryan Sewell, Amy McKnight and Holly Blake.
Performed by Jaco Prince (drums, percussion, bass, electric guitar, acoustic guitar, keys, synths, programming), Darren Alboni (vocals), Ryan Sewell (vocals), Amy McKnight (vocals) and Holly Blake (vocals).
Tr. 15 & 36: Arranged, produced, mixed and recorded by Sasha Gurney at Unit C, Leeds Place, Tollington Park Road, N4 3RF.
Performed by Sasha Gurney (all instruments and vocals).
Tr. 29 & 57: Arranged and produced by Mikhail. Recorded and mixed by Garrett Atkinson at GDA Productions, Millersville, MD, 21108, USA.
Performed by Michael Khizgilov (all instruments) and Nicholas Feemster (Vocals).
Tr. 43: Arranged, produced and mixed by Lauren Bousfield at Bleppy Studios, Los Angeles. Recorded by Lauren Bousfield and Danger Spoon.
Performed by Lauren Bousfield (all instruments) and Danger Spoon (vocals).
Tr. 50: Arranged and produced by Mikhail & Vonics. Recorded and mixed by Garrett Atkinson at GDA Productions, Millersville, MD, 21108, USA.
Performed by Michael Khizgilov (drums, bass, synths, percussion), Jonathan Reed (drums, bass, synths, percussion) and Nicholas Feemster (Vocals).
Mastered by Daniel Goodridge
Artwork by Sam Hayles | DOSE Productions.
Recorded by Jaco Prince, Darren Alboni, Ryan Sewell, Amy McKnight and Holly Blake.
Performed by Jaco Prince (drums, percussion, bass, electric guitar, acoustic guitar, keys, synths, programming), Darren Alboni (vocals), Ryan Sewell (vocals), Amy McKnight (vocals) and Holly Blake (vocals).
Tr. 15 & 36: Arranged, produced, mixed and recorded by Sasha Gurney at Unit C, Leeds Place, Tollington Park Road, N4 3RF.
Performed by Sasha Gurney (all instruments and vocals).
Tr. 29 & 57: Arranged and produced by Mikhail. Recorded and mixed by Garrett Atkinson at GDA Productions, Millersville, MD, 21108, USA.
Performed by Michael Khizgilov (all instruments) and Nicholas Feemster (Vocals).
Tr. 43: Arranged, produced and mixed by Lauren Bousfield at Bleppy Studios, Los Angeles. Recorded by Lauren Bousfield and Danger Spoon.
Performed by Lauren Bousfield (all instruments) and Danger Spoon (vocals).
Tr. 50: Arranged and produced by Mikhail & Vonics. Recorded and mixed by Garrett Atkinson at GDA Productions, Millersville, MD, 21108, USA.
Performed by Michael Khizgilov (drums, bass, synths, percussion), Jonathan Reed (drums, bass, synths, percussion) and Nicholas Feemster (Vocals).
Mastered by Daniel Goodridge
Artwork by Sam Hayles | DOSE Productions.
I keep on kicking that can down the road
I should be over this by now
How was I the last to know
That I was the punchline to her inside joke?
I should take it on the chin
Just forget you, move to Mexico
If I could just take the edge off
'Til the scent of you wears off, see me through
So I'll try to find somebody
Be a good replacement
Might not be the real thing
But he's you adjacent
Close as I can get
He's the next best thing
He's a hit to keep me going
'Til you're out of my head
We had a couple drinks
He's a real good time
You both like the same old movies, even quote that same one line
He's a pencil sketch when you're side by side
If it's all that I can get
Then at least that it's all mine, maybe
I could just take the edge off
'Til the scent of you wears off to see me through
So I'll try to find somebody
Be a good replacement (I'll try, I'll try)
Might not be the real thing
But he's you adjacent
Close as I can get
He's the next best thing (Next best thing)
He's a hit to keep me going
'Til you're out of my head
Pale imitation (He's a pale imitation)
He's not you, but you adjacent
And it looks so good on paper
But he's not you, just you adjacent
He's a pale imitation
He's not you, just you adjacent (He's not you)
It might look so good on paper (On paper)
But he's not you, just you adjacent (You adjacent)
So I'll try to find somebody
Be a good replacement (I'll try, I'll try)
Might not be the real thing
But he's you adjacent (He's you adjacent)
Close as I can get
He's the next best thing
He's a hit to keep me going
'Til you're out of my head
I'll try to find somebody
Be a good replacement (I'll try, I'll try)
Might not be the real thing
But he's you adjacent
Close as I can get
He's the next best thing
He's a hit to keep me going
'Til you're out of my head
I should be over this by now
How was I the last to know
That I was the punchline to her inside joke?
I should take it on the chin
Just forget you, move to Mexico
If I could just take the edge off
'Til the scent of you wears off, see me through
So I'll try to find somebody
Be a good replacement
Might not be the real thing
But he's you adjacent
Close as I can get
He's the next best thing
He's a hit to keep me going
'Til you're out of my head
We had a couple drinks
He's a real good time
You both like the same old movies, even quote that same one line
He's a pencil sketch when you're side by side
If it's all that I can get
Then at least that it's all mine, maybe
I could just take the edge off
'Til the scent of you wears off to see me through
So I'll try to find somebody
Be a good replacement (I'll try, I'll try)
Might not be the real thing
But he's you adjacent
Close as I can get
He's the next best thing (Next best thing)
He's a hit to keep me going
'Til you're out of my head
Pale imitation (He's a pale imitation)
He's not you, but you adjacent
And it looks so good on paper
But he's not you, just you adjacent
He's a pale imitation
He's not you, just you adjacent (He's not you)
It might look so good on paper (On paper)
But he's not you, just you adjacent (You adjacent)
So I'll try to find somebody
Be a good replacement (I'll try, I'll try)
Might not be the real thing
But he's you adjacent (He's you adjacent)
Close as I can get
He's the next best thing
He's a hit to keep me going
'Til you're out of my head
I'll try to find somebody
Be a good replacement (I'll try, I'll try)
Might not be the real thing
But he's you adjacent
Close as I can get
He's the next best thing
He's a hit to keep me going
'Til you're out of my head
Bitte beachte die Meldepflicht!
