Vocal high energy Club Banger with exhilarating groove; 97 bpm (Bbmin)
1-3, 9, 10, 13, 14: Recorded at Beat Is Fresh Of Crew Productions. Sound engineer: Roberto Freeman. Vocals: Lae Charles Lawrence jr., Zachary McLain, Max Golay. Keyboards: Roberto Freeman, Latif van Lowe
4, 5, 11, 12, 15, 16, 19, 20: Recorded at Soulshine Studios, Los Angeles, CA. Mixed by Glenn Nishida at Pacifica Studios. Sound engineer & programming: Rock City Beat Maker. Vocals: Fiction FIC and J Hustle
6-8, 17, 18: Recorded at Under One Sky Studios, Los Angeles, CA. Mixed at Master's Crib Studio, Pasadena, CA. Sound engineer: Pee Wee Hill. Rap vocals on "I'M HOTT" & "TIME" by "Big Dirty", female vocalist on "TIME" Judith Hill. All instruments played by Ronnie Vann except bass solo on "I'M HOTT" which was played by Pee Wee Hill.
49-98: Recorded at Bungalow Studios, Los Angeles, CA. Arranged & produced by the composer. Sound engineers: Reginald Wilson & Paul Hollman. Performers: Reginald Wilson on all tracks except Nicole Decicco on "LOVE IS".
Music consultant: Elisabeth Oei
Mastered by Wolfgang Meyscheider at digital music & media, Traunwalchen.
Coverart: David & Holly Lovere
Yeah, that's crazy man
I see
You gotta have options
And you gotta have skills
You ain't gotta like that and pass the bill
You gotta have options
So you can step in the game
I love when the announers say my name
You gotta have options
Try to get you a ring
But you gon' have to come through me and my team
Now that's options
Now you can go get your five
I'll go get my five
And we can get it poppin'
Yeah
Why it gotta be like that man?
(It's just how it is, you know what I'm sayin')
It's just how the game is played (game is played)
'Cause the streets is watchin'
(Alright, this gon' do what it do, you might as well let it)
It gon' be what it is, right? (Yeah)
Why it gotta be like that man?
(It's just how it is, you know what I'm sayin')
It's just how the game is played (game is played)
'Cause the streets is watchin'
(Alright, this gon' do what it do, you might as well let it)
It gon' be what it is, right? (Yeah)
Anywhere, anytime you can catch me with a dime
In the hood, in the street, holly if you wanna sing
Stackin' paper for my hustle, that's the way it's gon' be
I'ma put you in your place if you get up in my face