Subtle, atmospheric, South American-tinged way of conveying the passage of time, implying a dream-like experience or lulling angry animals to sleep. Starts spare with neutral, clock-like nylon guitar arpeggios, accented by edited frame drum/bongo and wooden percussion hits (which coalesce into a steady beat @:10). The piece also uses pads of reversed reverb trails, cuattro, electric guitar/Chapman stick volume swells and fretless bass. The second half builds again from the solo nylon guitar, the full mix returning @1:04 with a subtle faster, double-time feel.