Driving tension with scattered moments of shock. Nightmarish, heavily processed strings, (scraped, beaten and plucked) electric bass and metallic/wooden percussion grow in pitch, tempo and screwed-upness as they approach the cut's two climaxes @:29 and 1:10. The second half is more subtle and frightening as shifting and dissonant beds of violins get skewered by angry attacks of percussion. A brief drum break @:44 and escalating single hits starting @:55 help lead to a climax @1:10. Prog Rock-esque time signatures and off-kilter feel suggests that this cut will never talk with a girl. Ever.