Nightmarish, disorienting episodes of processed vocal/choral sound design punctuated by metallic/wooden percussion and bells. @:19 more linear, driving percussion starts and drives its way to a climax @:29. The second half is more percussion-oriented with less vocal samples - all culminating in a processed glass-like explosion @:51 that introduces a percussion-heavy drive to the end. This cut, sounding like a cross between an evil/drug-twisted New Age and industrialMusic, suggests communicating with the dead, evil/possessed technology and dark/religious talk of the apocalypse.