The sound of the world coming off its hinges, similar to modern composers like Penderecki and Ligeti. A bed of accelerating/multiplying percussion, screeching metallic stress, processed orchestral brass/strings and huge slamming hits climbs intensely until the cacophony climaxes @:29, reducing the mix to a bed of swirling, time-stretched orchestral sounds, further broken by random hits that climax @:42. The cut then builds from a percussive bed of toms to the metallic, twisted chaos from the first half. Great for suggesting insanity, or for unnervingly fast cutting or when order dissolves into severe disorder.