Optimistic, positive, feel good percussive that celebrates nature, forward movement and would work for time-lapse sequences. Starting with percussion and processed, shimmering strings, the cut builds in intensity and density, featuring growing timpani, toms, hand percussion and a huge brass swell until a climax @:29 lets the cut settle into a shimmering, blissful bed of strings and isolated wind/brass swells. Returns to a percussion bed @:43, building to another positive climax @1:08, but featuring more hits and rhythmic changes than in the first half. Good for making something feel magical, but not by threatening to encase itself in ice (like David Blaine) or make Claudia Schiffer disappear (like David Copperfield).