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underscoring the positive 2
LC 24999
:
2018-02-05
Acoustic piano and strings, sometimes with the addition of contemporary electronic sounds, produce tracks to accompany a range of corporate and personal images, providing both a beautiful, gentle energy and a subtle enthusiasm.
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SCOR009201
2:32
A gentle piano motif plays over a simple accompaniment, helped by delicate staccato strings. Portraying total contentment, peace and happiness, this track is calm, relaxed and fully at ease with itself. 80 bpm (Emaj)
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SCOR009203
2:19
A joyful opening with gentle but busy strings, marimba punctuations followed by simple scalar runs, from piano and glockenspiel. An atmosphere of pleasing and positive activity, optimism and achievement. 100 bpm (Dmaj)
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SCOR009205
2:26
Thoughtful, introspective and optimistic, this track opens with a simple but emotive figuration from the piano. The texture becomes fuller, more ethereal and new sounds are added to help build the piece, as it becomes more positive and sure-footed. 90 bpm (Gmin)
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SCOR009207
2:31
A simple, joyful opening figure from keyboards, pizzicato strings and percussion sets the pattern for this positive and optimistic track. A piano ostinato and pizzicato cellos maintain a feeling of movement while the glockenspiel, piano and pizzicato violins add melodic motifs. 130 bpm (Gmaj)
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SCOR009209
3:06
A gentle opening piano figure is developed as new ideas are introduced. Sustained cellos produce a feeling of calm and repose at 0.53. The texture gradually thickens until the piece starts to feel almost passionate in its intensity. There is a pause at 2.29 when the opening figure is reintroduced to a peaceful ending. 80 bpm (D flat); (Dflat)
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SCOR009211
2:38
A quizzical and optimistic opening suggests new possibilities, with piano arpeggios and motifs, and at 0.17 quiet sustained cellos. From 0.34 the piece becomes more grounded and solid with the introduction of a bass line. The opening transparency is heard again from 1.09 until 1.42 when the sustained strings thicken the texture and build the track to a resolution at 2.31. 116 bpm (D flat); (Dflat)
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SCOR009213
2:23
Acoustic guitar, piano, percussion and gentle ethereal sustains set a relaxed and drifting mood. 140 bpm (Fmaj)
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SCOR009215
2:27
Optimistic marimba, pizzicato strings and piano set up an arpeggio pattern which is developed and decorated, initially by a second marimba and then a piano. The track remains consistent in its atmosphere of new beginnings. 80 bpm (Cmaj)
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SCOR009217
2:15
Intricate and interweaving cross rhythms from the strings accompany woodwind figures from clarinet, oboe and bassoon. The track builds slowly until 1.41 when the initial, opening idea is heard again before building to a resolved conclusion. 190 bpm (Cmaj)
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SCOR009219
2:35
Energy, some urgency, but always positivity, characterise this track with its fast and insistent staccato violin pattern and simple melodic motif, played by a variety of instrumental combinations. At 1.12 there is a different and fuller texture until 1.44 when the violins reappear, behind the original melodic motifs. From 2.16 the orchestration again becomes fuller until the conclusion. 120 bpm (Cmaj)
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SCOR009221
2:38
The interplay of bell-like patterns sets an atmosphere of celebration and festivities. This is supported from 0.14 to 0.26 by rich string sustains. A new emotional string theme is introduced at 1.04. These ideas and motifs are developed by the percussion and string sections until 1.51 when the first patterns re-emerge. 110 bpm (Fmaj)
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SCOR009223
2:27
Synth patterns mingle with bell tones, joined at 0.20 by active mid-register strings and at 0.38 by pizzicato cellos and basses. This track has forward movement, a technological flavour and gradually builds, with synth pad crescendos, to a full orchestration at 1.55 before a quiet resolution at 2.16 - 2.20. 100 bpm (E flat); (Eflat)