Powerful gothic choirs, flurrying woodwind and strings, and bold brass and percussion. Written in 1874. Adapted from Messa da Requiem: Dies Irae; 160 bpm
Furiously cascading violins over driving lower strings. Written in 1721. Adapted from 'Le quattro stagioni' - Concerto No. 2 in G minor, Op. 8 RV 315, 'L'estate': III. Presto; 160 bpm
Pulsing strings and harpsichord create cinematic tension, building to majestic and optimistic B section. Written in 1721. Adapted from 'Le quattro stagioni' - Concerto No. 4 in F minor, Op. 8 RV 297, 'L'inverno': I. Allegro non molto; 74 bpm
Dramatic, powerful orchestra opens to graceful middle section, building to bold finale. Written in 1889. Adapted from The Sleeping Beauty, Op. 66: Introduction; 148 bpm
Mysterious orchestral rhapsody with multiple mood and tempo changes and speeding up finale. Written in 1869. Adapted from 21 Hungarian Dances: Hungarian Dance No. 5 in G Minor; 125 bpm
Famous opening motif opens to furious, flowing main section. Written in 1804-1808. Adapted from Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio; 180 bpm
Epic brass theme and orchestral stabs open to soaring, romantic orchestral theme. Written in 1875. Adapted from Piano Concerto No. 1 in B Flat Minor, Op. 23: 1. Allegro non troppo e molto Maestoso - Allegro con spirito; 84 bpm
Explosive choir and orchestra create a powerful, gothic mood. Written in 1791. Adapted from Requiem in D minor, K. 626: III. Sequentia, Dies Irae; 140 bpm
Graceful but mysterious orchestral piece with dramatic crescendos and energetic finale. Written in 1788. Adapted from 'Great' Symphony No. 40 in G Minor, K. 550: I. Molto allegro; 210 bpm