Minmalist and dark with baritone vocal harmonies create a dark and ominous background cue. Because of the guitar styles, it feels a bit like an old western or a deserted highway. 136 bpm (Emin)
The song is played in a pop rock style and starts off with a B3 type organ solo, reminiscent of a church service or funeral. As the song progresses it feels like we are celebrating a life of success and worthiness. The cue ends in a reiteration of the almost sad opening, symbolizing the loss of a loved one. 67 bpm (Bbmaj)
This cue is a rework of a cue from Under Cover of Darkness. Lyrics are added and the cue is extended. It is a dark alt-rock rendering with lots of feedback guitars with layers of big cinematic drums. 147 bpm (Cmin)
From the early days of psychedelic rock, this cue is a meandering dream or the beginning of an acid trip where the world begins to disappear. 106 bpm (Emaj)
Sorrow and serious, the opening is deep and low with simple piano. Part 2, act 2 slowly builds to a searing but slow end that climbs in intensity and pitch. 116 bpm (Emin)
Indie rock ensemble with choir. The choir lends a relgious or angelic feeling that is a bit sad, a bit warm and respecful. It is all about relationships between a father and a child who is grown, maybe estranged. 116 bpm (Gmaj)
Pop instrumental featuring a piano arp in the chords with a typical rock ensemble. The song has an upward trajectory that continues adding energy and upward momentum till the end. 132 bpm (Amaj)
Pop instrumental featuring a piano arp in the chords with a typical rock ensemble. Enigmatic lyrics using the number 7 as a paradoxical symbol of bad luck. Theme is about the human population that has no control of the big world events , powerless to do anything but wait and watch. 120 bpm (Amaj)
Bell-like keyboards evoke beauty and purity. From a newborn baby to a pristine snowflake, this cue focuses on the pristine beauty of nature. 104 bpm (Amin)