AUTHENTIC CUBA 1920 - TODAY

authentic cuba 1920 - today

SAS 231

LC 07573 EAN/GTIN: 4020771082315 : 2008-06-30

1920年代から現代に至る本格的なキューバの音楽。ハバナにてエリートのシンガーや演奏者によるレコーディング

son la china a

SAS023101 3:01
Vocal Son in the popular style of the Buena Vista Social Club. The Cuban Son was developed in the early 20th century by mixing Eastern and Western Cuban music. Funny lyrics about a man complaining that a girl left him because he spent her money on other women. 140 bpm (Gmaj)
guajira linda a

SAS023104 2:37
Guajira in the style of a typical popular Cuban band in the 1930s, featuring flute and rhythm. Notable Spanish influence. 112 bpm (Cmaj)
oh habana a

SAS023106 2:36
Typical vocal Conga from Havana with trumpet played by Daniel Ramos from Buena Vista Social Club. Lyrics about the beauty of the Cuban capital Havana. 150 bpm (Cmaj)
si acaso a

SAS023108 2:42
Romantic vocal Bolero with guitar and rhythm, a Cuban style originating in the late 19th century. Lyrics about a desperate man asking his love to make a decision about their love affair. 85 bpm (Amaj)
trumpet son

SAS023111 0:51
Solo trumpet melody, scene setter, played by Daniel Ramos from the Buena Vista Social Club
adios mi amor a

SAS023112 2:24
Vocal Salsa-Son. Lyrics about a lost love. 85 bpm (Amaj)
cha cubano a

SAS023115 2:29
Happy instrumental cha cha, in the original Cuban style from the 1950s with piano, flute and Cuban rhythm section. 116 bpm (Fmaj)
mambo cubano a

SAS023118 2:30
Instrumental Mambo in the style of the 1930s, a fusion of Son and Danzon featuring alto saxophone, brass and Cuban rhythm section. 152 bpm (Cmaj)
eriboee a

SAS023120 2:36
Vocal Afro Cuban Guaguanco with strong African roots. Lyrics in African and Spanish. The Spanish part of the lyrics remember a Rumba (party) from the day before. 100 bpm (Gmaj)
de la loma a

SAS023122 2:38
Changüi, rural dance and party music from the East of Cuba and Guantanamo, nowadays heard in many variations all over Cuba. Vocal version, the lyrics referring to the rural origin of the style: 'From the mountains .'. 115 bpm (Gmaj)
baila carnival a

SAS023124 2:27
Mozambique, happy simple carnival dance from the 1960s in a modern arrangement, featuring Daniel Ramos from the Buena Vista Social Club on the trumpet. 110 bpm (Dbmaj)
sin tu carino a

SAS023126 2:44
Sentimental Cuban vocal ballad. Typical "in-house" performance. The lyrics remember a lost love. 90 bpm (Emaj)
rumba maria a

SAS023130 2:31
Rumba, dance of the working class of Havana & Matanzas, male vocal, lyrics about a man confessing his love to a woman. 120 bpm (Bbmaj)
no voy a parar a

SAS023132 2:22
Timba, contemporary Latin Jazz / Salsa fusion, typical improvised live version called Descarga, featuring choir, horns, piano and rhythm. The meaning of the choir statement is: I am not going to stop. 130 bpm (Bbmaj)
ritmo fusion a

SAS023135 2:14
Blend of different Cuban and Afro-Cuban rhythms like Cuban Salsa, Lyesa and Chachalokafu, building up to a climax and calming down. 92 bpm
piano cubano

SAS023137 2:10
Romantic piano improvisation on Cuban folkloric motifs played by Peruchin from NG La Banda. 92 bpm
tres cubano a

SAS023138 2:23
Gentle tres (6-string chordophone) solo underscore. (Gmaj)
mas bajo

SAS023140 0:57
Mysterious deep bass mood played by Marco Godoi from the Afro Cuban Allstars. (Amaj)
soy guajiro a

SAS023141 2:59
Vocal Punto Cubano, rural version. Lyrics about the beauty of Cuban landscapes. 121 bpm (Dmaj)
laud

SAS023144 1:36
Spherical scene setter on the Cuban laud (lute). (Dmaj)
mi guitarra

SAS023145 2:04
Slow guitar underscore. (Amaj)