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Track name: TITA MUE A
Trackcode: SAS011706
Composer: DP, Oscar Tejeda (Arr.)
アーティスト: Gari Mezas, Luis Ilario Sánchez, Juan Daniel Montero, Juan Fsidro Jimenez, Pedro Acosta Gabino, José Ramon Rodriguez, Diomedes Pena Foriuna, Angelsina Del Rosario, Antonio Ramos Almanzar, Antonio Rodriguez Quico, Cornelio Ramos Almanzar, Henderson Bautista, Juan Abel Martinez, Magic Mejia, Irene Nunez, Apolinar Gomez, Freddy Ferrano, Juamy Fernández, Fulgencio Nunez, Castillo Calnet, Federico Méndez, Nestor J. Adames, Crispin Fernandez, Antonio De Jesus Baéz Mota
EAN/GTIN: 4020771142170
ISRC: DE-B63-14-21706
Album name: AUTHENTIC DOMINICAN REPUBLIC
Catalogue number: SAS0117
Label: Sonoton Authentic Series - SAS
LC number: 07573
Trackcode: SAS011706
Composer: DP, Oscar Tejeda (Arr.)
アーティスト: Gari Mezas, Luis Ilario Sánchez, Juan Daniel Montero, Juan Fsidro Jimenez, Pedro Acosta Gabino, José Ramon Rodriguez, Diomedes Pena Foriuna, Angelsina Del Rosario, Antonio Ramos Almanzar, Antonio Rodriguez Quico, Cornelio Ramos Almanzar, Henderson Bautista, Juan Abel Martinez, Magic Mejia, Irene Nunez, Apolinar Gomez, Freddy Ferrano, Juamy Fernández, Fulgencio Nunez, Castillo Calnet, Federico Méndez, Nestor J. Adames, Crispin Fernandez, Antonio De Jesus Baéz Mota
EAN/GTIN: 4020771142170
ISRC: DE-B63-14-21706
Album name: AUTHENTIC DOMINICAN REPUBLIC
Catalogue number: SAS0117
Label: Sonoton Authentic Series - SAS
LC number: 07573
Palo is played at religious ceremonies - usually coinciding with saint's days - as well as for secular parties and special occasions. Its roots are in the Congo region of Central West Africa, but it is mixed with European influences in the melodies. Male voice, choir and percussion. Spanish lyrics about a snake as metaphor for a woman. 159 bpm (Abmaj)
| Artists | Gari Mezas, Luis Ilario Sánchez, Juan Daniel Montero, Juan Fsidro Jimenez, Pedro Acosta Gabino, José Ramon Rodriguez, Diomedes Pena Foriuna, Angelsina Del Rosario, Antonio Ramos Almanzar, Antonio Rodriguez Quico, Cornelio Ramos Almanzar, Henderson Bautista, Juan Abel Martinez, Magic Mejia, Irene Nunez, Apolinar Gomez, Freddy Ferrano, Juamy Fernández, Fulgencio Nunez, Castillo Calnet, Federico Méndez, Nestor J. Adames, Crispin Fernandez, Antonio De Jesus Baéz Mota |
|---|---|
| Tempo | 早い, 159 bpm |
| Key | Abmaj |
| Featured instruments | ヴォーカル/ヴォイス (feat.), コーラス (feat.) |
| Formation | 中編成(10-30) |
| Sound | ナチュラルサウンド |
| Version | メインバージョン |
| Duration | 2:30 |
| Release date | 2014-01-29 |
| ISRC | DEB631421706 |
| Download file name | SAS011706_TITA_MUE_A_SONOTON |
| GEMA Workcode | 14387023 |
Produced by Michael Hornstein. Recorded at Terranotta Studio, Santo Domingo, Dominican Republic. Sound engineer: Bolivar Gomez. Mixed by David Santiago at INTERSOUND Studios, Munich.
Musicians: Angelsina Del Rosario (vocals, percussion), Antonio De Jesus Baéz Mota (accordion), Antonio Ramos Almanzar (guitar), Antonio Rodriguez Quico (accordion), Apolinar Gomez (keyboards, bass, vocals, choir), Castillo Calnet (percussion, choir), Cornelio Ramos Almanzar (vocals, percussion), Crispin Fernandez (saxophones), Diomedes Pena Foriuna (marimbola), Federico Méndez (guitar, keyboards), Freddy Ferrano (vocals), Fulgencio Nunez (percussion, vocals) , Gari Mezas (vocals), Henderson Bautista (percussion, choir), Irene Nunez (percussion, vocals), José Ramon Rodriguez (vocals, choir), Juamy Fernández (percussion, vocals), Juan Abel Martinez (percussion), Juan Daniel Montero (bajo), Juan Fsidro Jimenez (vocals), Luis Ilario Sánchez (snare drum, guira), Magic Mejia (percussion, vocals), Nestor J. Adames (saxophones), Pedro Acosta Gabino (vocals, guitar), Pedro Latke (flute), Teodoro Rubiera (percussion)
Special thanks to Bolivar Gomez, Juamy Fernández, Federico Méndez and all the beautiful musicians who collaborated with enthusiasm on this project.
Mastered by Wolfgang Meyscheider at digital music & media, Traunwalchen.
Artwork: Sahar Aharoni
Musicians: Angelsina Del Rosario (vocals, percussion), Antonio De Jesus Baéz Mota (accordion), Antonio Ramos Almanzar (guitar), Antonio Rodriguez Quico (accordion), Apolinar Gomez (keyboards, bass, vocals, choir), Castillo Calnet (percussion, choir), Cornelio Ramos Almanzar (vocals, percussion), Crispin Fernandez (saxophones), Diomedes Pena Foriuna (marimbola), Federico Méndez (guitar, keyboards), Freddy Ferrano (vocals), Fulgencio Nunez (percussion, vocals) , Gari Mezas (vocals), Henderson Bautista (percussion, choir), Irene Nunez (percussion, vocals), José Ramon Rodriguez (vocals, choir), Juamy Fernández (percussion, vocals), Juan Abel Martinez (percussion), Juan Daniel Montero (bajo), Juan Fsidro Jimenez (vocals), Luis Ilario Sánchez (snare drum, guira), Magic Mejia (percussion, vocals), Nestor J. Adames (saxophones), Pedro Acosta Gabino (vocals, guitar), Pedro Latke (flute), Teodoro Rubiera (percussion)
Special thanks to Bolivar Gomez, Juamy Fernández, Federico Méndez and all the beautiful musicians who collaborated with enthusiasm on this project.
Mastered by Wolfgang Meyscheider at digital music & media, Traunwalchen.
Artwork: Sahar Aharoni
Give it to me
Here she comes
Aunt Mue, give it to me
Oh Yamabala
The snake is coming, the snake is going
Santa Martha the red one
Listen to me, snake and mother!
Listen, don't give something to someone who doesn't give.
Give it to me, Aunt Mue
Listen to me, in the morning I will call you
Give it to me
Oh Yambala
Hello black girl, I want to talk to you
Look my Strawberry, how she is going
Look at the black girl moving from here to the back
I call her, because I want to talk with her
I call her because I want to talk to her
There's the black girl, bring her to me
I am going to dance with this girl
Look how beautiful, the black girl in the morning
Give it to me Aunt Mue
Oh Yambala
==================
Dámela a mi
Aquí llegó
Yambalá Tía Mue,
Oh Yambalá
Culebro viene,culebro va
Santa Marta la colorá
Oye oye culebro y óyelo mamá
Oye, de lo suyo a quien no da
Dámelo a mi, tía Mue
Óyelo mamá,en la mañanita yo te voy a llamar
Dámelo a mi
Oh Yambala
Oye míralo morena, contigo yo quiero hablar
Ay mírala mi fresa, como ella se va
Ay, oye esa negrita que se mueve para aquí y pa'atrás
mira que yo la llamo que con ella quiero hablar
Esa es la morena échala pa acá
Que con esa negra voy a bailar
Mira la morena mamita linda por la mañana
Dámela a mi tía Mue
Oh Yambala
(Ay óyelo bonita que era yo quien lo sabía
Ay que de esa parrandita a esa negra yo me la traía)
Ay en la mañanita yo la voy a llamar ...
Here she comes
Aunt Mue, give it to me
Oh Yamabala
The snake is coming, the snake is going
Santa Martha the red one
Listen to me, snake and mother!
Listen, don't give something to someone who doesn't give.
Give it to me, Aunt Mue
Listen to me, in the morning I will call you
Give it to me
Oh Yambala
Hello black girl, I want to talk to you
Look my Strawberry, how she is going
Look at the black girl moving from here to the back
I call her, because I want to talk with her
I call her because I want to talk to her
There's the black girl, bring her to me
I am going to dance with this girl
Look how beautiful, the black girl in the morning
Give it to me Aunt Mue
Oh Yambala
==================
Dámela a mi
Aquí llegó
Yambalá Tía Mue,
Oh Yambalá
Culebro viene,culebro va
Santa Marta la colorá
Oye oye culebro y óyelo mamá
Oye, de lo suyo a quien no da
Dámelo a mi, tía Mue
Óyelo mamá,en la mañanita yo te voy a llamar
Dámelo a mi
Oh Yambala
Oye míralo morena, contigo yo quiero hablar
Ay mírala mi fresa, como ella se va
Ay, oye esa negrita que se mueve para aquí y pa'atrás
mira que yo la llamo que con ella quiero hablar
Esa es la morena échala pa acá
Que con esa negra voy a bailar
Mira la morena mamita linda por la mañana
Dámela a mi tía Mue
Oh Yambala
(Ay óyelo bonita que era yo quien lo sabía
Ay que de esa parrandita a esa negra yo me la traía)
Ay en la mañanita yo la voy a llamar ...
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