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Track name: SAN ANTOÑITO A
Trackcode: SAS014944
Composer: DP, Edison Castillo (Arr.)
アーティスト: Lindberg Valencia
EAN/GTIN: 4020771231348
ISRC: DE-B63-23-03471
Album name: AUTHENTIC ECUADOR
Catalogue number: SAS0149
Label: Sonoton Authentic Series - SAS
LC number: 07573
Trackcode: SAS014944
Composer: DP, Edison Castillo (Arr.)
アーティスト: Lindberg Valencia
EAN/GTIN: 4020771231348
ISRC: DE-B63-23-03471
Album name: AUTHENTIC ECUADOR
Catalogue number: SAS0149
Label: Sonoton Authentic Series - SAS
LC number: 07573
Traditional Afro-Ecuadorian music. Song used in religious processions featuring female vocal, mixed choir and percussion. Solo vocal intro. Authentic Ecuador. 148 bpm (Dbmaj)
| Artists | Lindberg Valencia |
|---|---|
| Tempo | 普通, 148 bpm |
| Key | Dbmaj |
| Featured instruments | ヴォーカル/ヴォイス (feat.), コーラス (feat.) |
| Formation | 中編成(10-30) |
| Sound | ナチュラルサウンド |
| Version | メインバージョン |
| Duration | 2:32 |
| Release date | 2023-03-08 |
| ISRC | DEB632303471 |
| Download file name | SAS014944_SAN_ANTO_ITO_A_SONOTON |
| GEMA Workcode | 33141567 |
Produced by Michael Hornstein. Recorded at Centro Cultural Mama Cuchara, Cuito, Ecuador. Sound engineer: Renan Toscano.
Performed by Julio Andrade (guitar and bandolin on tr 42 & 43), Johny Garcia (flutes on tr. 7-9, 16, 17, 38-41, 51-55, 60-62, 95), Nalik Anrango (violin, bandolin and flutes on tr 1-6), Jhonny Sanchez (guitar, bass and percussion on tr. 1-6), Giovanny Mera (flutes, guitar and percussion on tr. 16-18, 33, 34, 40-43, 46, 47), Ernesto Moram (bandolin, bandola and percussion on tr 16-18, 33, 34, 40-43, 46, 47), William Baéz (bandolin, bandola and guitar on tr. 7-9, 16-18, 42, 43, 46, 47), Edwin Gutierrez (guitar on tr. 13-15, 30), Mario Gutierrez (requinto on tr. 13-15, 30), Samandra Michuy (vocal on tr. 13, 15), Tomas Charabali (hoja (leaf) puro and vocal on tr. 24-26, 68-70, 90-92), Andrea Condor (vocal on tr. 16-18, 46, 47), Karina Clavigo (backing vocals on tr. 10, 24, 26), Cristian Villalva (percussion on tr. 10-12), Dario Rodriguez (piano on tr. 93-95), Edison Morocho (alto sax on tr. 96-98), Andres Espinoza (guitar, vocal, percussion and piano on tr. 10-12, 19-21, 27-29, 35-37, 44, 45, 48-50, 90-92), Jorge Mina (bass on tr. 10-12, 90-92), Sanchez Bustos (vocal on tr. 42), Humazapas (Indian harp, violin, percussion and vocal on tr. 22, 23, 31, 32), Lindberg Valencia(marimba and percussion on tr. 19-21, 27-29, 35-37, 44, 45, 63-67, 71-89), Melissa Ibarra (vocal on tr. 19, 35, 37, 44), Carlos Villalva (vocal on tr. 19, 27, 35, 37, 44), Erodita Vila (vocal on tr. 19, 27, 35, 37, 44), Elisa Sanchez (vocal on tr. 19, 27, 35, 37, 44), Banio Espano (vocal on tr. 19, 27, 35, 37, 44).
Mixed by David Santiago at INTERSOUND Studios, Munich, Germany.
Mastered by Ludwig Maier at GKG Mastering, Freising, Germany.
Artwork by Aikaterini Pingiou (Ph. Alexander Schimmeck / Unsplash.com).
Performed by Julio Andrade (guitar and bandolin on tr 42 & 43), Johny Garcia (flutes on tr. 7-9, 16, 17, 38-41, 51-55, 60-62, 95), Nalik Anrango (violin, bandolin and flutes on tr 1-6), Jhonny Sanchez (guitar, bass and percussion on tr. 1-6), Giovanny Mera (flutes, guitar and percussion on tr. 16-18, 33, 34, 40-43, 46, 47), Ernesto Moram (bandolin, bandola and percussion on tr 16-18, 33, 34, 40-43, 46, 47), William Baéz (bandolin, bandola and guitar on tr. 7-9, 16-18, 42, 43, 46, 47), Edwin Gutierrez (guitar on tr. 13-15, 30), Mario Gutierrez (requinto on tr. 13-15, 30), Samandra Michuy (vocal on tr. 13, 15), Tomas Charabali (hoja (leaf) puro and vocal on tr. 24-26, 68-70, 90-92), Andrea Condor (vocal on tr. 16-18, 46, 47), Karina Clavigo (backing vocals on tr. 10, 24, 26), Cristian Villalva (percussion on tr. 10-12), Dario Rodriguez (piano on tr. 93-95), Edison Morocho (alto sax on tr. 96-98), Andres Espinoza (guitar, vocal, percussion and piano on tr. 10-12, 19-21, 27-29, 35-37, 44, 45, 48-50, 90-92), Jorge Mina (bass on tr. 10-12, 90-92), Sanchez Bustos (vocal on tr. 42), Humazapas (Indian harp, violin, percussion and vocal on tr. 22, 23, 31, 32), Lindberg Valencia(marimba and percussion on tr. 19-21, 27-29, 35-37, 44, 45, 63-67, 71-89), Melissa Ibarra (vocal on tr. 19, 35, 37, 44), Carlos Villalva (vocal on tr. 19, 27, 35, 37, 44), Erodita Vila (vocal on tr. 19, 27, 35, 37, 44), Elisa Sanchez (vocal on tr. 19, 27, 35, 37, 44), Banio Espano (vocal on tr. 19, 27, 35, 37, 44).
Mixed by David Santiago at INTERSOUND Studios, Munich, Germany.
Mastered by Ludwig Maier at GKG Mastering, Freising, Germany.
Artwork by Aikaterini Pingiou (Ph. Alexander Schimmeck / Unsplash.com).
Al pasar el puente
Me encontré un tesoro
Al pasar el puente
Me encontré un tesoro
Un niño de plata que parecía marfil
Un niño de plata que parecía marfil
Yo lo reviraba y lo reviré
Yo lo reviraba y lo reviré
Y él me contestaba San Antoñito lindo es
Y él me contestaba San Antoñito lindo es
San Antoñito (lindo es)
San Antoñito (lindo es)
La Virgen lavaba (lindo es)
La Virgen lavaba (lindo es)
San José tendía (lindo es)
San José tendía (lindo es)
El niño lloraba (lindo es)
El niño lloraba (lindo es)
De lo que le hacia
De lo que le hacia
San Antoñito (lindo es)
San Antoñito (lindo es)
Que le den duro al bombo (lindo es)
Que le den duro al bombo (lindo es)
Que pongan atencion (lindo es)
Que pongan atencion (lindo es)
Es que la misa aurora (lindo es)
Es que la misa aurora (lindo es)
Ella ya llevo al carro (lindo es)
Ella ya llevo al carro (lindo es)
San Antoñito (lindo es)
San Antoñito (lindo es)
Me agachen la rama (lindo es)
Me agachen la rama (lindo es)
Es de la poma rosa (lindo es)
Es de la poma rosa (lindo es)
Que para vaya el niño (lindo es)
Que para vaya el niño (lindo es)
Es la mas dolorosa (lindo es)
Es la mas dolorosa (lindo es)
San Antoñito (lindo es) San Antoñito (lindo es)
Yo mejor lo dejo (lindo es)
Yo mejor lo dejo (lindo es)
Lo voy a dejar (lindo es)
Lo voy a dejar (lindo es)
Oye las cantoras (lindo es)
Oye las cantoras (lindo es)
Que quieren cantar (lindo es)
Que quieren cantar (lindo es)
San Antoñito (lindo es)
San Antoñito (lindo es)
#################
As I crossed the bridge
I found a treasure
As I crossed the bridge
I found a treasure
A silver child that looked like ivory
A silver child that looked like ivory
I turned it upside down and turned it upside down
I turned him around and turned him around
And he answered me San Antoñito (cute is)
And he would answer me San Antoñito (cute is)
San Antoñito (cute is)
San Antoñito (cute is)
The Virgin was washing (cute is)
St. Joseph was tending (cute es)
The child cried (cute is)
The child cried (cute is)
Of what he did to her
Of what he did to him
San Antoñito (cute is)
San Antoñito (cute is)
Let them give it to the bass drum (cute it is)
It's that the dawn mass (cute it is)
Is that the aurora mass (cute it is)
She's already taken to the car (cute is)
She already took the car (cute is)
San Antoñito (cute is)
San Antoñito (cute is)
It's from the pink poma (cute is)
It's from the pink poma (cute is)
Let the child go (cute is)
It's the most painful (cute is)
It's the most painful (lindo es)
San Antoñito (cute it is) San Antoñito (cute it is)
I'm going to leave him (cute es)
I'm gonna leave him (cute es)
I'm gonna leave it (cute is)
Who want to sing (cute is)
They want to sing (cute is)
San Antoñito (cute is)
San Antoñito (cute is)
Me encontré un tesoro
Al pasar el puente
Me encontré un tesoro
Un niño de plata que parecía marfil
Un niño de plata que parecía marfil
Yo lo reviraba y lo reviré
Yo lo reviraba y lo reviré
Y él me contestaba San Antoñito lindo es
Y él me contestaba San Antoñito lindo es
San Antoñito (lindo es)
San Antoñito (lindo es)
La Virgen lavaba (lindo es)
La Virgen lavaba (lindo es)
San José tendía (lindo es)
San José tendía (lindo es)
El niño lloraba (lindo es)
El niño lloraba (lindo es)
De lo que le hacia
De lo que le hacia
San Antoñito (lindo es)
San Antoñito (lindo es)
Que le den duro al bombo (lindo es)
Que le den duro al bombo (lindo es)
Que pongan atencion (lindo es)
Que pongan atencion (lindo es)
Es que la misa aurora (lindo es)
Es que la misa aurora (lindo es)
Ella ya llevo al carro (lindo es)
Ella ya llevo al carro (lindo es)
San Antoñito (lindo es)
San Antoñito (lindo es)
Me agachen la rama (lindo es)
Me agachen la rama (lindo es)
Es de la poma rosa (lindo es)
Es de la poma rosa (lindo es)
Que para vaya el niño (lindo es)
Que para vaya el niño (lindo es)
Es la mas dolorosa (lindo es)
Es la mas dolorosa (lindo es)
San Antoñito (lindo es) San Antoñito (lindo es)
Yo mejor lo dejo (lindo es)
Yo mejor lo dejo (lindo es)
Lo voy a dejar (lindo es)
Lo voy a dejar (lindo es)
Oye las cantoras (lindo es)
Oye las cantoras (lindo es)
Que quieren cantar (lindo es)
Que quieren cantar (lindo es)
San Antoñito (lindo es)
San Antoñito (lindo es)
#################
As I crossed the bridge
I found a treasure
As I crossed the bridge
I found a treasure
A silver child that looked like ivory
A silver child that looked like ivory
I turned it upside down and turned it upside down
I turned him around and turned him around
And he answered me San Antoñito (cute is)
And he would answer me San Antoñito (cute is)
San Antoñito (cute is)
San Antoñito (cute is)
The Virgin was washing (cute is)
St. Joseph was tending (cute es)
The child cried (cute is)
The child cried (cute is)
Of what he did to her
Of what he did to him
San Antoñito (cute is)
San Antoñito (cute is)
Let them give it to the bass drum (cute it is)
It's that the dawn mass (cute it is)
Is that the aurora mass (cute it is)
She's already taken to the car (cute is)
She already took the car (cute is)
San Antoñito (cute is)
San Antoñito (cute is)
It's from the pink poma (cute is)
It's from the pink poma (cute is)
Let the child go (cute is)
It's the most painful (cute is)
It's the most painful (lindo es)
San Antoñito (cute it is) San Antoñito (cute it is)
I'm going to leave him (cute es)
I'm gonna leave him (cute es)
I'm gonna leave it (cute is)
Who want to sing (cute is)
They want to sing (cute is)
San Antoñito (cute is)
San Antoñito (cute is)
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