Electric piano, reverbed wailing electric guitar washes, acoustic guitar, bass, synth pads and drums bring to mind the pain and anguish of losing-or at least misplacing-a loved one. More single-minded than most VideoHelper cuts, the mood doesn't vary much during the first :30, staying sullen and cloudy. @:31 the Zoloft still hasn't kicked in, and the mix gets more intimate straight through to the end, where the longest final note in production music history starts @1:13. 130 bpm (Amin)