Clock-like, tense, racing-against-time cinematic cut that uses percussive, struck-string instruments (harps, piano, violins, cellos), thumping electronic/acoustic percussion, brass hits/swells and synth bass to suggest building fear, danger and suspense. Goes from large to ultra-hugely stress-inducing @:14 as it climbs in both pitch and tension. Returns to quieter, more subtly stressful @:31 with reversed strings and thumping synth drums, with the mix and tenor increasing linearly until a pounding, stab-filled, orchestral hit-fest @:49.