Sadly proud or proudly sad? Simple, regal and tastefully self-important, this cut features large, regal-sounding and room-shaking orchestral blasts of strings/brass (organic and synthetic) at regular intervals over delayed/reversed brass sound design, drum machines, timpanis, drums, tubular bells, arpeggiating electric guitars and synth pads, suggesting the introduction of something life-changing and enormous, like finding out that your Tinder date is an actual Apatosaurus (even though she's an herbivore, dinner at the salad place will still cost you $1200). A glissando rise starting @:40 leads to a short-lived drums-only bed, returning to the humongous main mix @:59, but this time adding more electric guitars, giving the cut a touch of wistfulness and compassion, like looking at vignettes of significant people who have died.