(REQUEST: "Classical cuts with twisted surprises") This cut takes gentle ballet music (in the vein of Strauss' 'Blue Danube') into a duet to the death with horrible, distorted death-metal assaults. The classical sections use pizzicato strings, piccolo, and tinkly piano versus the noisy guitar sections, consisting of drums, electric bass and noisy, over-modulated electric guitar. Starting out with soft and fluffy classical, the guitars begin stabbing in @:04 and attack at semi-regular intervals, getting more intrusive as the cut nears :30. The second half starts with a bonzo riff, interspersed with moments of ballet - until both the strings and guitars begin playing together @:46, starting a catastrophic climb @:56 to the end. Good for sports, juxtaposing things and livening up third grade dance recitals.